Pixel-clean fiber distribution, converter racks colored so they actually patch right the first time, and playback rigs built to push 8K without breaking a sweat.
What we route
Single-mode and multi-mode runs, pre-terminated and tested. Spans that let you put the camera anywhere without losing a frame.
Learn moreColor-coded 4×3G and 4×12G SDI ↔ fiber converter racks. Less spaghetti behind the desk, fewer cables in the truck.
Learn moreTriCaster, ATEM, and Roland switchers — sized for your camera count, prepped with the right input cards and shaders.
Learn moreMac M-series + Millumin and PlaybackPro Plus rigs ready to push 8K with redundant outputs and timecode locked to the show.
Learn moreManaged switches, VLAN-ready APs, and PoE injectors for control networks that stay separate from the show LAN.
Learn moreWired and wireless intercom, IFB, and on-stage prompter feeds. So the director, the LD, and the camera op are on the same beat.
Learn moreHow we think
Reusable scenic, efficient systems, every dollar working harder than it would on a one-and-done build. Sustainability and creative excellence aren’t opposites — they’re the same line item.
Modular systems built so the same hardware can headline three different events instead of hitting a dumpster after one.
A deep stock of borderless frames, lecterns, and panel tables ready to ship — no cold-start scenic build for every show.
3D venue rendering and CAD on every gig over a certain scale. You see the room before you load the truck.
Tell us how many cameras, how far, and what they're feeding. We'll spec the racks, the fiber, and the gainstaging — and ship it with a wiring diagram.
